LAZARILLO DE TORMES SCULPTURE
5 minutes
Next to the Roman Bridge and the Vettonian Boar is the sculpture dedicated to Lazarillo de Tormes. The sculpture pays homage to one of the most iconic characters in Spanish literature. Made of bronze by the Salamanca sculptor Agustín Casillas, it was inaugurated in 1974. The two most representative figures of the work stand on a concrete pedestal. Its location is not accidental, as the sculpture is believed to be near the spot where the cunning blind man delivered the famous 'headbutt' to Lázaro.
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The sculptural group El Lazarillo de Tormes, a work by sculptor Agustín Casillas, was commissioned by the then mayor of Salamanca, Pablo Beltrán de Heredia. At an exhibition by Casillas, the mayor discovered this small-format work and decided to commission a bronze replica to beautify the city.
The idea for this sculpture arose from a conversation between Agustín Casillas and the poet and art professor at the University of Salamanca, Rafael Laínez Alcalá. On the verge of retiring and leaving Salamanca, Laínez told his friend that he had felt like a 'lazarillo' in Salamanca when guiding his students through the city. He asked him to illustrate the poem "Yo he sido Lazarillo en Salamanca" with a drawing. Casillas not only pleased him by creating the requested drawing but also produced a clay sculpture that would be the seed of the first, and probably most emblematic, of the fifteen urban sculptures he created for the city.
It was inaugurated during the September fairs of 1974; with a public invitation that included the typical limón serrano accompanied by wine. It was then located to the right of the bridge, where it remained for 18 years. In the early 1990s, after the renovation of the river's right bank, it was placed in its current location on a concrete pedestal.
The idea for this sculpture arose from a conversation between Agustín Casillas and the poet and art professor at the University of Salamanca, Rafael Laínez Alcalá. On the verge of retiring and leaving Salamanca, Laínez told his friend that he had felt like a 'lazarillo' in Salamanca when guiding his students through the city. He asked him to illustrate the poem "Yo he sido Lazarillo en Salamanca" with a drawing. Casillas not only pleased him by creating the requested drawing but also produced a clay sculpture that would be the seed of the first, and probably most emblematic, of the fifteen urban sculptures he created for the city.
It was inaugurated during the September fairs of 1974; with a public invitation that included the typical limón serrano accompanied by wine. It was then located to the right of the bridge, where it remained for 18 years. In the early 1990s, after the renovation of the river's right bank, it was placed in its current location on a concrete pedestal.
The sculpture shows young Lázaro guiding the blind man. The artist portrays the blind man as an old man, highlighting his condition of sightlessness through his empty eye sockets and the stick he holds firmly with his right hand. With his left hand resting on his guide's shoulder, he seems to be engaging in conversation with him. It is possible that Lázaro is warning the blind man about the proximity of the bridge's bull, while the blind man, for his part, is planning the first lesson for his young servant. The moment is full of symbolism, reflecting the contrast between the child's vivacity and the adult's experience, accompanied by a certain cunning.
The sculpture stands out for its realism, successfully capturing the protagonists' urgency to leave the city and their destitute condition. The folds of their clothing, the blind man's tattered cloak, and the extreme thinness of both betray their miserable existence. It is, without a doubt, one of Agustín Casillas's great creations.
On a nearby pedestal, the inscription can be seen: "SALAMANCA A LAZARILLO MCMLXXIV". Likewise, a metal plaque indicates that in the year 2024, Agustín Casillas was honored on the occasion of the fiftieth anniversary of the work's inauguration.
The sculpture stands out for its realism, successfully capturing the protagonists' urgency to leave the city and their destitute condition. The folds of their clothing, the blind man's tattered cloak, and the extreme thinness of both betray their miserable existence. It is, without a doubt, one of Agustín Casillas's great creations.
On a nearby pedestal, the inscription can be seen: "SALAMANCA A LAZARILLO MCMLXXIV". Likewise, a metal plaque indicates that in the year 2024, Agustín Casillas was honored on the occasion of the fiftieth anniversary of the work's inauguration.